Andy Wicks Paints Blog

Petite enveloppe urbaine no. 20 Launch at Banner Repeater – Friday 16th Nov

Posted in Exhibitions by Andy Wicks on 13 November, 2012

Friday sees the launch of the 20th edition of Petite enveloppe urbaine at Banner Repeater, which is based on the theme of Game. I met organizer (or Coach) Douglas Scholes while he was on SPACE studios Canadian artist in residence program in London, as 1/5th of artists collective Centre de recherche urbaine de Montréal (CRUM) he invited a number of artists he met during his time in London to participate.

Mudlarks
Unique lino and digital print on paper with acrylic paint (edition of 70 with hand painted colour varations)
13 x 19 cm
2012

‘Game’ for me spoke of childhood pleasures and timeless boys pursuits which the romantic inside would like to think can still exist in childhoods dominated by the digital. The piece I created takes a Victorian etching of boys mudlarking on the banks of the Thames as a starting point, which I made as a lino and printed over a digital print of a WW2 propaganda image of the Royal airforce flying over a naval convoy. I wanted to make an image which transcended the centuries to show the ageless nature of boys games and messing around in mud, while the war time background image (war games?) possibly featuring boys of a not dissimilar age heading off to war on ships. The figures of the original etching are now wearing Wellington boots, a subtle nod to the shift of era.

Petite enveloppe urbaine no. 20 is a serial artists’ publication organized through the Centre de recherche urbaine de Montréal (CRUM) that uses standard sized postal envelopes (A5) to distribute ideas across cultural networks. The edition for this issue is 70 for which the invited participants were asked to produce a work based on the theme GAME.  The eleven participants include Daniel Canty & Patrick Beaulieu (Montreal, Canada), collectif_ fact – Annelore Schneider & Claude Piguet (Geneva, Switzerland), Emotional Driven Process Based Parallel Identities (London, UK), Levin Haegele (London, UK), Lukas Heistinger (Vienna, Austria), Pekko Koskinen (Helsinki, Finland), Alan Magee (London, UK), James Prevett (London, UK), NaoKo TakaHashi (London, UK), Andy Wicks (London, UK) and YKON (Helsinki, Finland).

Centre de recherche urbaine de Montréal (CRUM) is a symbiotic (parasitic) research group with no exhibiton space of its own.  It uses the pre-existing exhibtion network to present diverse projects.  The CRUM is an artists collective of five members dedicated to exploring links between art and urban space.

Friday also sees the launch of The condition of things, a book documenting Douglas Scholes’ project of the same name that was developed during his residency at SPACE Studios, Hackney, UK (March to August 2012).

The one night only launch is at Banner Repeater on Friday 16 November 2012 from 7 – 9pm, I’ll release details soon of how you can get hold of the publication/print portfolio.

Banner Repeater
Platform 1
Hackney Downs Railway Station
Dalston Lane
Hackney
E8 1LA

Japan Relief Auction update

Posted in Exhibitions, News by Andy Wicks on 7 April, 2011

Rise Art have kindly donated an artist proof of Matthew my recent print edition to the Japan Relief auction which is being held tomorrow night (Friday 8th April) at Fold Gallery. It’s a great chance to get your hands on work by some exciting artists at a great price, bids start at £20 or you can ‘buy now’ for £100. As well as the print I will also have a small oil on paper piece I’ve made for the auction.

Bidding is between 6 – 7.45pm

Matthew (2011) Archival pigment on paper

 

Limited edition prints

Posted in News by Andy Wicks on 18 March, 2011

I’m pleased to announced the release of my first Limited Edition Prints which I have produced in collaboration with Rise Art. Given the opportunity to create two new pieces exclusively for the edition run I decided to embrace the printing process to achieve the sort of perfection usually impossible for a painter dealing with a wet and reactionary paint process. I have previously found myself spending time trying to recreate a particular finish with limited success. Each piece was painted with oils on paper with the foreground and background scanned and superimpose together. I decided to use the same background on each to challenge the idea of the pieces every existing in a form other than the finished composed print, through the printing process the works are completed. Both prints feature a Thames dolphin (mooring construction) which have been the subject of my recent series of works, both feature a metal Tripod form showing signs of age while still being distinctly different.

The sharpness of the veins of paint in the background flow beneath the image rooting the structure to a deep and rich earthy surround. While the central image reveals the brush marks and flicks of paint giving it the illusion of standing proud of the paper, this creates a similar contrast to my paintings which have a deep gloss background with a flat matt central image.

Details for both editions : Paper Size: 450mm x 600mm, Image: 373mm x 525mm, Archival Pigment Print on 315 gsm Cotton Rag paper with hand torn edges, Edition of 25

To purchase an Edition or find out more about Rise Art and the prints click here – Lisa & Matthew

Lisa (2011) Archival Pigment Print on Cotton Rag paper

Matthew (2011) Archival Pigment Print on Cotton Rag paper